She was not credible, not in the least.
It was not a big story, not even in the first fifteen minutes of the newscast, but it was important enough to show the victim describing her ordeal. The whole interview was taped in the shadows, but her words were clear, and she was lying.
The story went like this: a family was sleeping late one night with two strangers came in and pulled the mom and dad out at gunpoint. The victim said that drove them around to ATM machines and forced them to withdraw money. In the process they left three children in the house, two very young.
There were so many things wrong with the story that I actually turned to Monika, my wife and biggest supporter—the feeling is mutual—and said that this woman is hiding something. With those words a flood if imagery and concepts, characters and situations came to me in what seemed like an instant. The Radio Murders was born.
What followed was full-time writing. the story was so real that all I did was take dictation, or so it seemed. On character after another made their motives, hopes and fears known to me and insisted on being included.
It was the skill of fiction writing that I lacked, and with the help of some kind benefactors along the way, I started to learn the rules. In the words of one editor and agent, learn them before you break them. The Radio Murders: The Collectors and the four other volumes do step outside the mainstream.
I'm not sure hat happened to the far-western suburban family, the victim of the original "crime." I would not be surprised if they were found complicit in some way of pulling off a hoax, or worse. Whoever they are, I am very grateful for the starting point. I certainly hope their real-life experinces are nothing like those of the fictional characters they inspired.
Last Updated on Thursday, 25 November 2010 11:21









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